We enter into 'making' and 'judgement'. We start with two driving premises, finding a language and an attitude that keeps process related to products or let's use a better word 'outcomes'. I ask them to consider developing a short study that continues to refine the working tasks they have been evolving, this can also incorporate anything that they have experienced when working in someone else's task. How the mebodied layers of the process (irrespective of authorship) inform how we enter into creating today. As a first premise I ask them to consider the manipulation of the experience of moving (forming experience not the experience of form) as an important first layer, out of which particular movements emerge. Therefore, in keeping with the methodology of the lab, (we return to) the second premise: the body is departure and destination, the body is not a medium of an idea but body (me, εγω) is the source, the terrain, the very idea itself out which choreography emerges.
Drop, fall, be unsafe....It becomes an obsession. Do you surender to that obsession or you try to change it to what you believe is better?Do you insist on the obsession or is it enough for you to realise that this is what you want. Obsession: slow, direct, small, soft focus, getting frustrated, only the arm is moving, only the one side of the body is touch. Keep on going ,go to dangerous paths.this is not a game. (AV)
Finding new desires to move, while doing, a new wanting to do, and following it...(TD) Ways to take things to a higher level [of intensity] (NO)